Wednesday, November 30, 2011

Happy Feet (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • NTSC; Closed-captioned; Color; Widescreen
In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS), the Adelies instantly embrace Mumble's cool dance moves and invite him to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper ! penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world. For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the! dancing youngster--as cute as he is--is a misfit. Luckily, he! bumps i nto little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

More Happy Feet


Other DVDs and products

Blu-ray

More Penguin DVDs

In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS),! the Adelies instantly embrace Mumble's cool dance moves and i! nvite hi m to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world.For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble ! (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the dancing youngster--as cute as he is--is a misfit. Luckily, he bumps into little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

See Kai Run Emilio Sneaker (Infant/Toddler),Two-Tone Brown,3 M US Infant

  • Breathable leather lining
  • Foam padded collar
Includes CD, Case, Artwork!! Minor Scratches. Great Buy! Fast 1st Class Shipping!!In this remarkable dual memoir, film legend Martin Sheen and his accomplished actor/director son Emilio Estevez share the stories of their lives while charting a spiritual journey through the Spain of their ancestors.While much has been written over the years about this prominent entertainment family, neither Martin Sheen nor Emilio Estevez has told his story in book form before. In Along the Way, they break that silence together, offering a striking, often stirring, frequently funny story of two very different kinds of faithâ€"told from two viewpoints that are as different as they are eloquent.

Spanning more than fifty years of family history, this chronicle of a creative father and son is partially set against the background of Hollywood. But! the heart of the story lies along the Camino de Santiagoâ€"the thousand-year-old pilgrimage path, also known as “The Way,” across northern Spain, from which Sheen’s father emigrated to the U.S. and to which Estevez’s own son has returned to live. There, Estevez directed his father in the filming of The Way, a major film to be released in October, 2011, and which has already garnered praise at the Toronto Film Festival. Along the Way celebrates the authors’ profound bond with each other, offers candid insight into their lives and careers, and explores the differing paths of spirituality they have taken through a multigenerational saga that has come full circle beneath the Iberian sun. What emerges is a raw, strikingly intimate portrait of two seekers whom readers will come to know as strong men of many important roles, perhaps the greatest of which are as fathers and sons.This book was converted from its physical edition to the digital format by a co! mmunity of volunteers. You may find it for free on the web. Pu! rchase o f the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery."The Way" is a powerful and inspirational story about family, friends, and the challenges we face while navigating this ever-changing and complicated world. Martin Sheen plays Tom, who comes to St. Jean Pied de Port, France to collect the remains of his adult son , killed in the Pyrenees in a storm while walking the Camino de Santiago,. Rather than return home, Tom decides to embark on the historical pilgrimage to honor his son's desire to finish the journey. What Tom doesn't plan on is the profound impact the journey will have on him. From the unexpected and, oftentimes, amusing experiences along "The Way," Tom begins to learn what it means to be a citizen of the world again. Through his unresolved relationship with his son, he di! scovers the difference between "the life we live and the life we choose."See Kai Run Emilio - Brown See Kai Run and Smaller promote healthy development of babies' and children's feet with their ultra-flexible soles, soft leather and wide toe box. Our footwear meets the American Podiatric Medical Association's rigorous standards for foot health and functionality and has been awarded the APMA's prestigious Seal of Acceptance. See Kai Run shoes are available in whole sizes 3 through 9 and are appropriate for pre and new walkers, as well as older toddlers up to 3 years old. See Kai Run and Smaller uppers are made from buttery-soft leather with breathable leather lining. Great care is taken to ensure that the leather used for our shoes meets the most stringent available US and international guidelines. Only quality materials are used to ensure the soft, flexible, comfortable shoes that are ideal for your child's feet. The exterior of See Kai Run & Smaller leather shoes can be sp! rayed with a non-toxic water repellent for extra protection. T! o clean our shoes, use a little mild detergent and a damp cloth and allow to air dry.

Bride of the Wind

  • british
  • romance
  • dragonslayer
  • virginia
  • unwanted marriage

The daughter of a wealthy Virginia planter, innocent Rose Woodbine curses cruel fate for leading her to the court of the British King Charles -- and into an unwanted marriage with handsome and dangerous Lord Pierce Deforte, a man she dares never love.

His soul searing desire for the stunning Rose had once blinded Pierce to the treacherous machinations of his enemies. Now banished from his beloved England, he lives the life of a pirate -- seeking vengeance on those who betrayed him... including the beautiful temptress whom he once held dear. On a storm-tossed sea they are united once more -- he, no longer a noble, but the notorious brigand called Dragonslayer. And she, one his bride, is now his helpless prisoner -- forced to submit to his fury, his will...and the blistering, sensuous need that chains h! er captive heart.

BagHead

  • EACH COPY IS SIGNED AND DATED by Author/Illustrator
  • Independently Published
  • For ages 3-8
From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but d! efinitely not scary). Thus, Baghead was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they a! ll get to star. As they collaborate, it becomes apparent that ! Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to stro! ng effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held c! amera stylings. Highlights throughout involve Chad, the nerdie! r, uglie r brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton



Filmmakers Mark a! nd Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Duplass BrothersWhy the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we shoul! d have done is clear… we should have made another relationsh! ip movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that! ’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell i! s under that bag?” So, we started to feel smart. Confident. ! Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We̢۪re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

PUFFY CHAIR - DVD MovieA little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

Gia (Unrated Edition)

  • It's late 70's New York. Studio 54, designer jeans, drugs and disco. This is the outrageous, breathtaking story of the first fashion super-model - her rise to the top, and her fall caught up in a whirlwind of drugs, sex and celebrity.Running Time: 126 min. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 026359154027 UPC: 026359154027 Manufacturer No: 91540
At the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of five strip club dancers converge over the course of one week. Angel (Daryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood world of the strip club bares each girl in! side and out both onstage and off, providing an insight to the story behind the dance. This is a double feature dvd that includes: "Another Day In Paradise" starring Melanie Griffith and James Woods and "Dancing At The Blue Iguana" starring Daryl Hannah, Jennifer Tilly and Sandra Oh.At the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of five strip club dancers converge over the course of one week. Angel (Daryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood world of the strip club bares each girl inside and out both onstage and off, providing an insight to the story behind the dance. At the Blue Iguana, in the heart of LA's San Fernando Valley, the lives of ! five strip club dancers converge over the course of one week. ! Angel (D aryl Hannah), attempts to qualify as a foster mother; Jasmine (Sandra Oh), is a clandestine poet who finds love at a coffee house reading; Jo (Jennifer Tilly), faces an unplanned pregnancy; Stormy (Sheila Kelley), confronts her bewildering past and Jesse (Charlotte Ayanna) gets a tough introduction to life in LA. This glimpse into the oft-misunderstood world of the strip club bares each girl inside and out both onstage and off, providing an insight to the story behind the dance. Dancing at the Blue Iguana DVD New Special Features: Documentary by Daryl Hannah "Strip Notes", Letter Box, 5.1 Dolby Digital, Production Commentary, Trailer, Director Commentary, Scene Access, Alternate Scenes, Interactive Menus, English and Spanish Subtitles Dancing at the Blue Iguana DVD New Special features: Full Screen version, Trailer Gallery, 2.0 Surround Audio, And More!, Interactive MenusUNCOVERED - DVD MovieIt's the Late 70's in New York - Studio 54, designer jeans, drugs and disco. One girl is living life in the fast lane. She can have any man or woman she wants. Sex, money, glamour, fame - it's all within her reach. She's a Goddess. She's A Star. Her name Is Gia. There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDS (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes ! by her talent honestly. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza

Samsung Focus I917 Unlocked Phone with Windows 7 OS, 5 MP Camera, and Wi-Fi--No Warranty (Black)

  • Ultra-thin 3G-enabled Windows Phone 7 smartphone with 4-inch Super-Amoled touchscreen
  • Windows Phone 7 OS provides easy access to social networking, personal/corporate e-mail, office apps, Xbox LIVE games, streaming media, and more
  • 5-megapixel camera with HD 720p video capture;8 GB internal memory; microSD memory expansion; Wireless-N Wi-Fi;
  • Up to 6.5 hours of talk time, up to 300 hours (12.5 days) of standby time; released in November, 2010
  • What's in the Box: handset, rechargeable battery, charger, USB cable, quick start guide
  • 5-megapixel camera with HD 720p video capture;8 GB internal memory; microSD memory expansion; Wireless-N Wi-Fi; Bluetooth stereo music; PS for navigation
  • Bluetooth stereo music; PS for navigation
Bestselling author Mike Schmoker describes a plan for radically improving student learning that is built on three core elements:! a focused and coherent curriculum (what we teach); clear, prioritized lessons (how we teach); and purposeful reading and writing, or authentic literacy.

With this "less is more" philosophy, educators can help students learn content at a deeper level, develop greater critical thinking skills, and discover more clearly how content-area concepts affect their lives and the world around them.

Both a call to action and a blueprint for creating more effective classrooms, Focus: Elevating the Essentials for Radically Improved Student Learning will challenge your assumptions about schooling and show how educators who have embraced this approach quickly achieved spectacular results.

Meet Emily and Paul: The parents of two young children, Emily is the newly promoted VP of marketing at a large corporation while Paul works from home or from clients' offices as an independent IT consultant. Their lives, like all of ours, are filled with a bewildering b! lizzard of emails, phone calls, yet more emails, meetings, pro! jects, p roposals, and plans. Just staying ahead of the storm has become a seemingly insurmountable task.

In this book, we travel inside Emily and Paul's brains as they attempt to sort the vast quantities of information they're presented with, figure out how to prioritize it, organize it and act on it. Fortunately for Emily and Paul, they're in good hands: David Rock knows how the brain works-and more specifically, how it works in a work setting. Rock shows how it's possible for Emily and Paul, and thus the reader, not only to survive in today's overwhelming work environment but succeed in it-and still feel energized and accomplished at the end of the day.

YOUR BRAIN AT WORK explores issues such as:

- why our brains feel so taxed, and how to maximize our mental resources

- why it's so hard to focus, and how to better manage distractions

- how to maximize your chance of finding insights that can solve seemingly insurmountable problems

- ! how to keep your cool in any situation, so that you can make the best decisions possible

- how to collaborate more effectively with others

- why providing feedback is so difficult, and how to make it easier

- how to be more effective at changing other people's behavior

The Samsung Focus weighs 4.07 ounces and measures 4.84 x 2.56 x 0.39 inches. Its 1500 mAh lithium-ion battery is rated at up to 6.5 hours of talk time, and up to 300 hours (12.5 days) of standby time. It runs on the 850/900/1800/1900 MHz GSM/GPRS/EDGE frequencies as well as AT&T's dual-band 3G network (850/1900 MHz; HSPA/UMTS) plus international 3G networks (2100 MHz).

Dear Zachary: A Letter to a Son About His Father

  • When their mother needs to leave in order to find their estranged father, six-year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother s promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls e
Studio: Oscilloscope Pictures Release Date: 02/24/2009 Run time: 95 minutes

Green Lantern: Emerald Knights

  • With stories by acclaimed writers including Geoff Johns, Alan Burnett and Dave Gibbons, this DC
  • While awaiting a battle with Krona, an ancient enemy of the Guardians of the Universe, Earth’
In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, i! conic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Mar! tin Campbell, a director who specializes in more down-to-earth! heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightIn a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to ! the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot! whose encounter with a dying alien leaves him with an energy ! ring cap able of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightIn a universe as vast as it is mysterious, an elite force of protectors for peace and j! ustice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big,! messy movie that, at its best, generates a feeling of aw-shuc! ks wonde r. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin sto! ry shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightIn a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman ! and Batman, but the very wonkiness of the premise (earthling j! oins eli te force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a ple! asing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightAn anthology of 6 tales that show Hal Jordan and the Green Lanterns policing the galaxy a la “Gotham Knights.”A crash course in all things Green Lantern is offered in Emerald Knights, a DC Universe Animated Original feature that details the history of Hal Jordan and his Green Lantern Corps cohorts in an engaging and action-packed anthology film. Taking its cue from 2008's Batman: Gotham Knight, Emerald Knights spins the origin s! tories for Jordan and four pioneer members of the corps--Kilow! og, Lair a, Mogo, and Abin Sur--as a sort of inspiration for newly minted member Arisia (whom longtime GLC fans will know as Arisia Rrab) before she joins them in battle against the exiled scientist turned pure energy being Krona, who poses a threat to the entire universe. The five stories, including that of Jordan joining the corps, hew closely to the original source material, thanks to the presence of writers like DC Comics' chief creative officer Geoff Johns, fellow Green Lantern writers Peter J. Tomasi and Eddie Berganza, Dave Gibbons (Watchmen), and Marc Guggenheim and Michael Green, who penned the live-action Green Lantern that will undoubtedly spur many viewers to seek out this feature. The stories are dramatic and well scripted, and avoid the clunky linking devices that plagued Gotham Knight, and the voice cast, led by fan favorite Nathan Fillion (Castle) as Hal Jordan and Elisabeth Moss (Mad Men) as Arisia, is solid, with contributio! ns by Arnold Vosloo (The Mummy) as Abin Sur and Jason Isaacs (Harry Potter's Lucius Malfoy) as Sinestro among the highlights. The animation is also top-notch, with the interplanetary scenes rendered with an impressively cosmic sweep. Extras, however, are limited to sneak peeks of DCU's All-Star Superman and Batman: Year One. --Paul GaitaThe Imaginext Green Lantern playset comes with a Green Lantern figure, a Kilowog figure, B’DG the squirrel figure, a projectile launcher, a projectile and a lantern that really lights up. Turn an activation disk to open the doors and explore the Planet OA. Boys will love recreating their favorite Green Lantern moments with this new playset.Imagine…a world of action and excitement where you decide what happens next! This time, it’s a trip to Planet OA with super hero Green Lantern, Kilowog and B’DG the squirrel. Whatever world you travel to, it’s a whole new adventure every time you play! For kids ! ages 3 to 8 years.

Playset

Playset includes 3 figures, 1 light-up lantern, a projectile launcher, and more!
Unlocking Feature

Turn figures on the playset disks to activate special features.
Inspiring Imaginative Play!
“In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil's might, BEWARE MY POWER ... Green Lantern's Light!” Green Lantern wears a ring that channels pure willpower in the form of green energy. He uses that energy in a number of waysâ€"blasting an energy ray, creating a force field or even c! reating solid objectsâ€"to help him fight the forces of evil. Kilowog and his animal sidekick B’DG are two of those evil forces.

Turn on the Adventure!
With Imaginext Green Lantern Planet OA Playset, kids get to make the action happen! They turn the Green Lantern figure on a disk, and a door opens. They turn the Kilowog figure on another disk to aim the launcher, then press to fire! There’s a lantern that lights up at the press of a button, and a space tether that attaches to a figureâ€"kids can just spin the thumbwheel to let that figure explore Planet OA!

Build Confidence and Develop Imagination
As characters in your child̢۪s adventures, Imaginext figures like Green Lantern and Kilowog can help your child build self-confidence and eagerness to explore. The Green Lantern Planet OA play set provides a backdrop for your child to expand the boundaries of his imagination. And using his imagination is the best adventure of all!

What'! s In The Box?
1 moon base, 3 figures, 1 light-up lante! rn, 1 pr ojectile launcher with 1 projectile, 3 button cell batteries, and a DC Super Friends DVD.

Playset

Aim and fire with Imaginext DC Super Friends Green Lantern!

An anthology of 6 tales that show Hal Jordan and the Green Lanterns policing the galaxy a la “Gotham Knights.”A crash course in all things Green Lantern is offered in Emerald Knights, a DC Universe Animated Original feature that details the history of Hal Jordan and his Green Lantern Corps cohorts in an engaging and action-packed anthology film. Taking its cue from 2008's Batman: Gotham Knight, Emerald Knights spins the origin stories for Jordan and four pioneer members of the corps--Kilowog,! Laira, Mogo, and Abin Sur--as a sort of inspiration for newly minted member Arisia (whom longtime GLC fans will know as Arisia Rrab) before she joins them in battle against the exiled scientist turned pure energy being Krona, who poses a threat to the entire universe. The five stories, including that of Jordan joining the corps, hew closely to the original source material, thanks to the presence of writers like DC Comics' chief creative officer Geoff Johns, fellow Green Lantern writers Peter J. Tomasi and Eddie Berganza, Dave Gibbons (Watchmen), and Marc Guggenheim and Michael Green, who penned the live-action Green Lantern that will undoubtedly spur many viewers to seek out this feature. The stories are dramatic and well scripted, and avoid the clunky linking devices that plagued Gotham Knight, and the voice cast, led by fan favorite Nathan Fillion (Castle) as Hal Jordan and Elisabeth Moss (Mad Men) as Arisia, is solid, with contr! ibutions by Arnold Vosloo (The Mummy) as Abin Sur and J! ason Isa acs (Harry Potter's Lucius Malfoy) as Sinestro among the highlights. The animation is also top-notch, with the interplanetary scenes rendered with an impressively cosmic sweep. Extras, however, are limited to sneak peeks of DCU's All-Star Superman and Batman: Year One. --Paul Gaita

Acorn Heavy Duty Forged Absolute Zero Cube Brushed Stainless Steel Cabinet Pull (AZC-211-BRU)

  • Cube Pull
  • Brushed Stainless Steel
  • 1" Square
  • Eligible for Free Super Saver Shipping!
Every nightmare has a beginning. In this prequel to the cult hit Cube, one of the most successful sci-fi thrillers of the last decade, a new group of unwilling participants frantically moves through an ominous construct of cube-shaped rooms. Each room holds the threat of hideously inventive and painful death. Finding the real exit, however, may not offer the freedom one seeks.Following the grisly 1997 Cube and its 2002 sequel, Cube 2: Hypercube, Cube Zero stretches the original's The Twilight Zone-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control stat! ion wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some almighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't explain the point of the Cube. Imaginative writer-director Ernie Barbarash rescues what might have been a tedious formula flick. --Tom KeoghCUBE 2:HYPERCUBE - DVD MovieSix ordinary strangers awaken to find themselves in a seemingly endless maze of interlocking cubical chambers armed with lethal booby traps. They have to learn to cooperate to solve the secrets of this deadley trap.
No Track Information Available
Media Type: DVD
Artist: DEBOER/GUADAGNI
Title: CUBE
Street Relea! se Date: 02/01/2005
DomesticGen re: HORRORIf Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape, but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama, and the sets are appropriately strikin! g: one is tempted to believe at first the characters are lost inside a computer chip. --Tom KeoghFollowing the grisly 1997 Cube and its 2002 sequel, Cube 2: Hypercube, Cube Zero stretches the original's The Twilight Zone-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control station wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some almighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't expla! in the point of the Cube. Imaginative writer-director Ernie Ba! rbarash rescues what might have been a tedious formula flick. --Tom KeoghCube Pull. Brushed Stainless Steel. 1" Square

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free