- Jessica Lange and Sam Shepard are Jewell and Gil Ivy. They work the land in America's heartland, on a farm that has bound their family together for generations. For Jewell and Gil, the land has always been their life. So when the government bureaucrats decide to take it all away, there s only one decision the family can make . the Ivys are staying. System Requirements: Actors/Actresses: J
FRANCES - DVD MovieJessica Lange gives a career performance in a role she was born to play: the talented and troubled Frances Farmer. Farmer's awful trajectory travels from bright Seattle girl to 1930s Hollywood starlet to degraded (eventually lobotomized) mental patient. Lange, who has the blond, clean look of Farmer's heyday, goes into these places with the fierce abandon of a true believer. Her performance, the lush John Barry score, and the period re-creation are all worth applauding; almost everything e! lse fails. Everyone except Farmer is grotesquely caricatured to fit the movie's thesis, which is that if you are intelligent and nonconformist, the system will resolutely destroy you. (The medical establishment is evil incarnate.) This simple conclusion seems inadequate and disrespectful of Frances Farmer's tragic problems. For a radiant glimpse of what the real Farmer had to offer, see Howard Hawks's
Come and Get It, which bristles with excitement over a new discovery.
--Robert HortonThe life of legendary country singer Patsy Cline is powerfully brought to the screen. From her climb to fame and fortune, through her passionate and turbulent marriage, this is the unforgettable story of the tragically short lived performer.She wasn't a beauty queen, but country-music star Patsy Cline's voice was a thing of wonder: full-bodied, aching and dreamy at the same time. She came by the torchy emotions in her songs honestly, as shown in this biopic directed by Karel Reis! z, rising from poor surroundings, literally forcing her talent! on the Nashville establishment, all the while trying to survive an abusive marriage to a drinker. Though the script by Robert Getchell is standard Hollywood biography, the movie is more than watchable, thanks to a bone-deep performance by the always astonishing Jessica Lange and the counterpoint by Ed Harris as her loving but unreliable husband. The soundtrack features a basketful of Cline's hits, which Lange convincingly lip-synchs.
--Marshall FineJessica Lange gives a career performance in a role she was born to play: the talented and troubled Frances Farmer. Farmer's awful trajectory travels from bright Seattle girl to 1930s Hollywood starlet to degraded (eventually lobotomized) mental patient. Lange, who has the blond, clean look of Farmer's heyday, goes into these places with the fierce abandon of a true believer. Her performance, the lush John Barry score, and the period re-creation are all worth applauding; almost everything else fails. Everyone except Farmer is grote! squely caricatured to fit the movie's thesis, which is that if you are intelligent and nonconformist, the system will resolutely destroy you. (The medical establishment is evil incarnate.) This simple conclusion seems inadequate and disrespectful of Frances Farmer's tragic problems. For a radiant glimpse of what the real Farmer had to offer, see Howard Hawks's
Come and Get It, which bristles with excitement over a new discovery.
--Robert HortonJessica Lange and Sam Shepard are Jewell and Gil Ivy. They work the land in America's heartland, on a farm that has bound their family together for generations. For Jewell and Gil, the land has always been their life. So when the government bureaucrats decide to take it all away, there’s only one decision the family can make ... the Ivys are staying.
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